A woke industrial album before woke and industrial music were even such a thing? Blimey. It’s hardly Marv’s What’s Going On, but I kinda like the general vibe and message here. What saves it for me is the Jam and Lewis production. Jam and Lewis could produce Black Lace and it would still get my feet tapping. It’s such a distinctive production sound that is so tight and identifiable. It’s not a bad album but Lauryn Hill took this to a different level.
⭐ ⭐